In the United States and abroad, she has been affiliated with well-known ensembles at Boston’s Old South Church, the Handel and Haydn Society, and Boston Baroque. As a concert soloist in the Southeast, Dr. Siemon has appeared with the South Carolina Philharmonic, The Augusta Symphony and Choral Society, the Columbia Choral Society, and the St. Augustine Music Festival. She is also the principle vocalist and co-founder of the Columbia Baroque Soloists, South Carolina’s only Baroque ensemble performing with historic instruments and pitch. The ensemble debuted in 2007, and provides 8-10 concerts per season, master classes, workshops, and outreach programs.
Her recital accomplishments include premiers of early and modern works, and a debut at Jordan Hall in Boston. She continues to collaborate and record regularly. In appearances with the Harvard Early Music Society, the Boston Globe hailed her Baroque operatic roles as, “poignantly sung…florid, yet substantial,” and span the interpretation of both the Rameau and Monteverdi Orfeo, to the title role in Jepthe (Vivaldi). Dr. Siemon has also given notable classical and contemporary operatic performances with The Spartanburg Repertory Company, Greenville Light Opera Works, Inspiration Point Fine Artist’s Colony, and the Orlando Opera.
Dr. Siemon is an expert studio teacher and clinician, as well as an Alexander Technique practitioner. She has served on the music faculties of Rollins College, Columbia College, Charleston Southern University, and Jacksonville University. She is also the founder of Bryan Street Studio, a member of Pi Kappa Lambda national music honor society, and an active NATS contributor.